
Learn more about MTAA’s next Showcase, a visceral, orchestra-led exploration of Jesus Christ Superstar. Performed with minimal staging and a focus on music and storytelling, this one-night-only performance brings together singers and instrumentalists from across Arizona to illuminate the passion, conflict, and humanity at the heart of this groundbreaking rock opera.

Showcase offers a unique kind of theatre experience. You’ll see a full musical performed with a live orchestra—but without sets, costumes, or choreography. Instead, the focus is on the music, the characters, and the story.
With just two rehearsals, there’s a fresh energy to every Showcase. Performers carry scripts, scenes are minimally staged, and what unfolds onstage is part concert, part storytelling, and entirely in the moment. It’s a one-night-only glimpse into the heart of a musical, performed by singers and instrumentalists from across the state.
Jesus Christ Superstar will be approximately 2 hours, including a 15-minute intermission.
Jesus Christ Superstar is a story about power, perception, and the fragile line between leadership and mythology. Centered on the final days of Jesus’ life, the musical examines how a movement accelerates beyond the control of its participants—particularly through the perspective of Judas, whose growing unease anchors the narrative. Set within a volatile political landscape, the story raises questions about influence, responsibility, and what happens when ideals collide with human limitation.
Before it ever reached the stage, Jesus Christ Superstar began life as a 1970 concept album by composer Andrew Lloyd Webber and lyricist Tim Rice. Its rock-driven score and contemporary language reframed an ancient story for a modern audience, emphasizing character psychology and political tension over religious doctrine. When the show premiered on Broadway in 1971, it stood apart—loud, urgent, and strikingly modern—challenging expectations of both musical theatre and the source material it drew from.
What gives Superstar its enduring impact is its refusal to assign clear moral binaries. Judas is thoughtful rather than treacherous; Jesus is charismatic yet overwhelmed; the surrounding crowd is restless, reactive, and easily swayed. Songs like “Heaven on Their Minds” and “Gethsemane” explore the weight of expectation and the destabilizing force of public attention, as private doubt collides with collective momentum.
More than fifty years later, Jesus Christ Superstar continues to resonate as a sharply human work. Its focus on image, authority, and the volatility of mass movements feels unmistakably contemporary. Stripped to its essentials, the musical invites audiences to reflect not on belief systems, but on people—how they lead, follow, and reckon with the consequences of change once it is set in motion.

DYLAN SUEHIRO (Conductor) was born and raised in Hilo, Hawai‘i. He serves as MTAA’s Conductor and Communications Director. As a performer, he is an active freelance musician and multi-instrumentalist, performing with Tempe Winds and the MTAA Orchestra, in addition to regular engagements with churches and the Phoenix Gay Men’s Chorus. Jesus Christ Superstar marks Dylan’s eleventh Showcase; he previously conducted The Hunchback of Notre Dame, The Pajama Game, The Sound of Music, Annie Get Your Gun, Spamalot, and Fiddler on the Roof, and he played in the pit for Titanic, A Little Night Music, Big Fish, and The Pirates of Penzance.
Dylan holds degrees from Indiana University and ASU in music education and conducting. Since moving to Arizona in 2013, he has taught at multiple schools in the Paradise Valley Unified School District, in addition to serving as a clinician and adjudicator for bands and orchestras around the Valley.
Outside of his professional work, Dylan enjoys baking and actively participates in the local food community. He is a member of Emerging Leaders and volunteers at the Desert Botanical Garden. He lives in Phoenix with his husband, Kyle.

DR. SHARON A. HANSEN (Chorus Director), Professor Emerita of Conducting at the University of Wisconsin–Milwaukee, is an internationally acclaimed conductor and teacher. She has led ensembles including the Romanian National Radio Choir, Gächinger Kantorei, Stockholm Conservatory Chamber Choir, and University of Regensburg Symphony Orchestra. Her choirs have performed at ACDA and NAfME conferences, and she has guest-conducted in over forty states.
Hansen founded the Milwaukee Choral Artists, known for expressive performances and premiering innovative works for treble voices. She is also an accomplished author, with publications including Helmuth Rilling: Conductor Teacher and essays on gender dynamics in conducting.
She served 25 years on ACDA’s Choral Journal editorial board, founding the “On the Voice” series. Her research on choral vocal pedagogy was published in ACDA’s monograph series and featured in Choral Journal and the Choralosophy Podcast.
Now in Tempe, Hansen serves on the Arizona ACDA board as Community Choirs liaison and is a founding MTAA board member and chair of the Artistic Committee. She previously conducted Sondheim’s A Little Night Music and The Pirates of Penzance.

KERRIE CHRISTIE (Staging Director) has been in love with MTAA and its people since its beginning. Jesus Christ Superstar marks her 17th Showcase, recently appearing as Frau Schmidt in The Sound of Music and stage directing The Pirates of Penzance and Annie Get Your Gun. She is a member of the Education and Community Engagement Committee, and anyone who has met her has heard all about MTAA!
Kerri studied acting in Seattle at Northwest Actors Studio, Studio East, and with the brilliant Dr. Tawnya Pettiford-Wates, before training at California Institute of the Arts School of Theater. She moved to the Valley in 2011 and is the Artistic Director of Arizona Homeschool Theatre Group (AZHT). She has directed Alice’s Adventures in Wonderland (’16, ’23), The Lion, the Witch and the Wardrobe (’17, ’24), Picture Book Theatre (’17, ’18, ’20, ’22), Charlotte’s Web, Through the Looking Glass, A Midsummer Night’s Dream (’19 and ’24), Shakespeare Zoom!, The Importance of Being Earnest, Annie JR, As You Like It – 80s Teen Edition, The Wizard of Oz, and Seussical JR for AZHT. She also loves supporting her two young actors, and helping families as a board-certified lactation consultant at Arizona Breastfeeding Medicine and Wellness.
Musical Theatre Alliance of Arizona is a nonprofit, tax-exempt charitable organization (tax ID number 33-2127576) under Section 501(c)(3) of the Internal Revenue Code. Donations are tax-deductible as allowed by law.
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